There is a literal story, but there is also an interpretative story. There is a literal story, but there is also an interpretative story,” he says. “In photography, there are layers of story that can be told. “It’s different because it lets people tell their own story through the image, and I think that’s a really beautiful thing.” What Smith alludes to is the layers of storytelling in photography. “In photography, storytelling is more about telling an individual idea, concept, theme, or emotion in a single picture,” he says. While photographers can certainly take this traditional approach to storytelling, one that is often found in film and literature, Sydney-based fashion photographer, Jez Smith says otherwise. The most common mistake people make when they think of storytelling is that it must have a beginning, a middle, and an end. or you might give it some breathing space and leave it unsharpened, even a little vague, letting their body language do more of the talking.” Both stylistic approaches have the power to move people, but each of these approaches carry a very different voice. You might want it zoomed in on their faces. “The subject is there, but how you approach it will be unique to how you let it move you. “Take for instance an emotional moment between a father and daughter,” says Tremp. Either will tell a story.” It is a photographer’s stylistic decisions with composition, shooting, and editing that will affect how people interpret the story behind the image. “Principally, I think anyone could photograph a straight progression of a storyline, but it will be up to each individual as to how they will inject their particular view into it,” she says, “whether that’s a strong editorial style, with lots of details peppered in, setting a scene, or a photojournalistic approach. But, for Sydney-based photographer, Jessica Tremp from Brown Paper Parcel, a photographer’s style can also be a part of what makes them a storyteller. At a glance, these photos may appear to be created just to be aesthetically pleasing. It is easy to disregard pretty pictures as all style and no substance. Kurchatov was the headquarters of the Soviet nuclear project in Kazakhstan during the Cold War, and a quarter of the world’s nuclear tests were conducted in the Semipalatinsk Test Site, just south of the town. A family passes derelict housing blocks in the town of Kurchatov, Kazakhstan. So how then do we tell better stories through photography? It all starts with understanding how stories are told. Each image has a narrative quality that is full of information and can tell the viewer a lot of interesting things,” says Thoreson. “It’s just woven into the process of making a photograph. However, New Mexico-based, fine-art photographer, Jennifer Thoreson says that photography, as a medium, is inherently storytelling. It’s a bleak reality, but the old adage that connected photography to storytelling may no longer be relevant in today’s world. Photos are reduced to meaningless eye-candy and some photographers just focus on creating content with no real story behind the images. With photography flooding the Internet, it is easy for our eyes to glaze over as we scroll down the feeds of our social platforms. In these digital times, how relevant is the old adage, a picture is worth a thousand words? It is an adage that is familiar to all photographers in their pursuit of the art. So what makes a photographer a storyteller? Christopher Quyen investigates. But with billions of images flooding our world, most photos are reduced to eye-candy with no real substance to them. Anyone can take pictures, and most consider themselves photographers, but just how do you become an amazing storyteller? Regardless of genre, stories are inherent in photos.
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